Apply a light layer of a color down over the box, then lightly go over the color with a black or brown colored pencil. It is made by mixing the color with black or brown. Shade: A shade is the darker value of a color. The more pressure, the lighter the tint (pressing very hard will also burnish it).Ħ. Apply a light layer of a color down over the box, then lightly go over the color with a white colored pencil. It is made by mixing the color with white. Tint: A tint is the lighter value of a color. Start off with very light pressure and slowly increase in pressure as you move along the box.ĥ. We should see not “streaks” or pencil lines. Using the stroke pressure method, create a value scale that smoothly transitions from light to dark values of one color. Gradation: Blended Value Scale using Pressure Stroke Beginning with a slightly heavy pressure, Use a straightforward side-to-side shading motion, changing the pressure applied from somewhat heavy to very lightĤ. Use the pressure to change the tonal value in each box. (Usually ending with the burnishing technique). It is best to begin with soft or light pressure, slowly building the layers until the final layer looks bright & vibrant It is very important to learn to control the amount of pressure you apply when using colored pencils. Stroke Pressure: The amount of pressure you place on the pencil directly affects the tonal value laid on the paper. This can be done with different colors, or carried through multiple layers, to create a textured effect.ģ. Cross-hatching: Hatching overlaid at right-angles. Hatching: Rapid, regular, evenly spaced lines are drawn, leaving a little white paper or underlying color showing.ĭ. If you can see space between your stroked, go back and fill in with more line or apply linear strokes going in the opposite direction.Ĭ. The goal is an even coat of colored pencil over the box. Linear Stroke: using light pressure, draw linear strokes going in the same direction with no space in between the strokes. This is the most effective way to create even layers.ī. Circular or Oval Stroke: using light pressure, draw tiny overlapping circles or ovals that do not have any space in between them. Colored pencils work best when applied in thin layers.Ī. Always start with LIGHT pressure strokesī. Learn a variety of colored pencil techniques.Ī. Also see contour drawing, contour lines, volume, and wireframe.Students will develop an understanding of colored pencil as an art medium and a means of personal expression. "The Twelve Renaissance Words of Drawing in 3-D," 1997. You make that object appear to be popping out of the paper." Mark Kistler, American TV artist / instructor. "When you draw lines curving around the surface, or contour, of an object, you give that object volume. Contour is a surface which is neither of the body nor a part of the atmosphere, but a medium interposed between the atmosphere and the body." Leonardo da Vinci (1452-1519), Italian artist, designer, etc., etc. Line has not matter in it or any other substance, but since it is thus conditioned, it takes up no room. Cav?'s profile emphasizes its contour.About contour: "Drawing should give the eye in the shape of a demonstration the intention and invention first conceived by its image. The area of darkness (shadow?) Ingres painted beside Mme. Also, a type of line drawing which captures this three-dimensional outer edge, with its fullness and recession of form.The outline and other visible edges of a mass, figure or object.Example: Jean-Auguste-Dominique Ingres (French, 1780-1867), Madame Edmond Cav? (Marie-Elisabeth Blavot, 1810-), c. The outer edge of forms which implies three dimensions, in contrast to an outline, which is a boundary of two-dimensional, flat form.
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